In 2004, "Break My Stride" was covered by German band Blue Lagoon and became a hit in several European countries, including Austria, Germany, Sweden and Denmark, where it reached the top ten. In 2002, a new remix of the song peaked at number 55 in Austria.Ĭanada Adult Contemporary Tracks ( RPM) īlue Lagoon version "Break My Stride" The single was awarded with a platinum record in Australia and Austria, with a sale of 70,000 and 30,000 units. "Break My Stride" was also a big hit in Israel, where it peaked at number 6 and in Canada, it reached number 18 on the RPM Singles Chart and number 19 on the RPM Dance Chart. On the Eurochart Hot 100, it went to number 33 in September 1996. The Top 10 also in Australia, where it hit number 2, Czech Republic, Denmark, and Ireland. "Break My Stride" was very successful on the charts on several continents, peaking at number-one in Austria and New Zealand. She'll have little to no trouble successfully carrying this one into the hearts of folks who prefer familiarity over adventure." Australian music channel Max placed the song at number 903 in their list of 1000 Greatest Songs of All Time in 2013. Highly videogenic Viennese songbird Jade Davies chirps her way through the track's Ace of Base-like reggae-inflected groove with engaging energy. It has already saturated radio airwaves throughout Europe, with a number of programmers here already giving it positive feedback. Larry Flick from Billboard wrote, "Yep, this is a dance-leaning cover of the Matthew Wilder '80s pop chestnut. The single also charted in Ireland, Italy, Canada and Scandinavia. This dance version of the song was the first international success for the band, peaking at number-one in Austria and New Zealand, and at number 2 in Australia. In 1996, Austrian duo Unique II had its most successful hit by covering "Break My Stride". West Germany ( Official German Charts) Ĭzech Republic ( Singles Digitál Top 100) Though "Break My Stride" was Wilder's only UK hit, he also reached the US pop chart with his next two singles, "The Kid's American" (#33) and "Bouncing Off the Walls" (#52), before turning to behind-the-scenes work on other artists' recordings. On the US Cash Box chart, Wilder's single reached the number two position, where it remained for two weeks in early February.Ī remix version reached the top 20 on the dance chart, and the song additionally hit the Billboard Hot Black Singles chart, staying there for four weeks. Included on his 1983 album, I Don't Speak the Language, the single went to number five on the US Billboard Hot 100 and number four in the UK in January/February 1984. "Break My Stride" (Remix / Club Version) - 5:10."Break My Stride" (instrumental) - 3:05.John Gilston – Simmons drum programming.Matthew Wilder – lead and backing vocals, Prophet-5.Isgro released "Break My Stride" off his new record label, Private-I, and created the illusion that it was a massive hit, prompting other radio stations to start playing the song, and propelling Wilder's single into the top 5 of the US Billboard charts. Wilder managed to connect with record promoter Joe Isgro, who had a history of doing legally questionable things to promote and chart certain songs. Since Arista had not paid Wilder for any of the songs, he was free to shop them around. However, Davis did not see potential in the song or any of the others, and his label let Wilder go. They threw a party after the recording, and had the music production team sing the chorus, which can be heard at the end of the song. There are lyrics in there that are indirectly referring to the circumstances that were governing my life at that point," said Wilder. "My relationship with Clive Davis was precisely the impetus for my writing the song. Poor and near the end of a frustrating period with the record label, he recorded "Break My Stride" on his own dime in the early hours of the morning at the studio of producer Spencer Proffer. Industry executive Clive Davis signed Wilder to Arista Records in 1981 or 1982, but Wilder was not getting the results he or the producers wanted with finding the style of music that worked for him.
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